| Feature | Level 3 (Clear/Consistent) | Level 5/6 (Perceptive/Convincing) |
|---|---|---|
| Evidence | Relevant quotes used to support points. | Integrated, 'seamless' quotes used to explore nuances. |
| Methods | Identifies devices (e.g., 'the poet uses a metaphor'). | Analyzes the effect of devices (e.g., 'the harsh plosives mirror the violence'). |
| Context | Added as a separate fact at the end of a paragraph. | Context is woven into the analysis of the poet's message. |
| Structure | Follows a rigid, repetitive structure. | Argument is fluid and responds to the complexity of the task. |
Plan for Comparison: Spend 5 minutes mapping out 3-4 conceptual links between the poems before writing. This prevents the 'block' approach where poems are discussed entirely separately, which often limits marks.
Analyze Form and Structure: Many students focus only on language. To reach the top marks, you must discuss form (e.g., sonnet, dramatic monologue) and structure (e.g., volta, caesura, stanza length) as deliberate choices by the poet.
Avoid 'Feature Spotting': Never identify a technique without explaining its purpose. Saying 'there is an oxymoron here' earns no marks; explaining why the oxymoron creates a sense of internal conflict is what gains credit.
The 'Bolt-on' Context Error: A common mistake is providing a history lesson that is unrelated to the poem's text. Context must always be used to explain why a specific word or image was chosen.
Imbalance: Spending 80% of the time on one poem and 20% on the other is a frequent pitfall. The mark scheme requires a 'balanced' comparison to access the higher levels.
Generic Comments: Avoid vague statements like 'this makes the reader want to read on.' Instead, be specific: 'this creates a sense of claustrophobia that mirrors the speaker's entrapment.'