Language Analysis: Look for emotive vocabulary, imagery (similes, metaphors, personification), and semantic fields that establish a specific mood.
Structural Analysis: Examine the progression of ideas, the use of caesura (breaks within lines) or enjambment (lines running over), and how these control the poem's pace.
Form Analysis: Identify the type of poem (e.g., sonnet, free verse) and the stanzaic layout, considering how the physical shape on the page reflects the subject matter.
The Title: Always begin by analyzing the title, as it often provides the most significant clue to the poem's central theme or perspective.
| Feature | Single Poem Analysis | Comparative Analysis |
|---|---|---|
| Focus | Deep dive into one text | Identifying links and contrasts between two texts |
| Structure | 2-3 detailed paragraphs | 3-4 paragraphs using comparative connectives |
| Goal | Establish meaning and method | Synthesize how different methods explore similar themes |
| Weighting | Lower mark value (e.g., 15 marks) | Higher mark value (e.g., 25 marks) |
In a Single Analysis, the priority is exhaustive exploration of the poet's craft within one context.
In a Comparative Analysis, the priority is the 'bridge' between poems, using words like 'similarly', 'conversely', or 'whereas' to highlight shifts in tone or technique.
Feature Spotting: Identifying a technique (e.g., 'there is an oxymoron here') without explaining its specific effect on the reader is a common error that limits marks.
Ignoring the Prompt: Students often write a general summary of the poem rather than answering the specific question asked (e.g., 'How does the poet present the speaker's feelings?').
Misinterpreting Tone: Failing to recognize irony or a shift in the speaker's perspective can lead to a superficial or incorrect reading of the poem's message.
Over-quoting: Using long blocks of text instead of short, embedded 'micro-quotes' can disrupt the flow of the argument and reduce the depth of analysis.